Posts Tagged With: books

It Takes a Village to Write a Book

Okay, so maybe it only takes an author to write a book, but it certainly takes a community of beta readers and editors to make a book publishable. A small percentage of authors say they can self-edit and publish a book without any input, but that is a very small percent. Most authors rely on writing communities, beta readers, and editors in order to craft a flawless novel. Though writing is largely a solitary pursuit, once the first draft is finished, it’s important to reach out to others.

I rely heavily on beta readers. Without my betas, I’d be completely lost. With each beta, I look for something a little different. Some are great at finding plot holes, while others critique from an emotional perspective. Are the characters likable? Dialogue realistic? Are all the loose ends tied up by the end of the book? With my YA series, it’s especially critical to have beta readers. They can pick up on inconsistencies and continuity problems I miss.

Beta readers come in all shapes and sizes, and I’d recommend finding at least one who will be brutally harsh with you. If all your betas are related to you by blood or marriage, it’s unlikely you’ve found a good mix of betas. I think it’s essential to have a sister or cousin in your cheering section to boost your self-esteem and tell you how proud they are of your endeavors, but it’s equally important to find someone who will be brutally honest. While your sister might lift up your spirits when the going gets tough, your harsh beta reader is the one who’ll really hone that manuscript. And, since opinions may vary, I recommend getting more than one harsh beta. The more the merrier, in my opinion.

What’s the difference between a beta reader and an editor? Your beta is focusing on the story–characters, plot, overall enjoyment. An editor focuses on the construction of the manuscript–grammar, repetitive words, spelling. You might get some crossover. I have a couple of betas who will do some light editing by pointing out obvious errors, but what I really want from my betas is their overall impression of the story. What worked? What didn’t?

Once you’ve hammered out your story, you’ll want to work with an editor, especially if you’re self-publishing. There are different types of editing, some more involved than others. A substantive editor will work with you to develop the story, but this is generally a very expensive service. Your best bet is to swap critiques with a few good betas so by the time you get to the editing stage, you’re just looking at proofreading services.

Here’s a list of helpful sites if you’re looking for a beta reader, critique partner, or some writerly folks to chat with:

Did I miss any good critique sites? Let me know and I’ll add them to the list. How many villagers do you have? How do you find your betas? Leave a comment and share your tips and advice.

 

Categories: Advice for New Authors, author, beta readers, fiction writing, publishing, readers, tricia drammeh, writers, writing, writing & publishing tips | Tags: , , , , , , | 9 Comments

Free Promotion

promo poster

 

Thank you, Victoria Barrow, for the promo poster!

 

 

Categories: book promotion, books, free, kindle, promotion | Tags: , , | 2 Comments

The Plague of Independent Publishers

I thought long and hard about posting this, shelved it for a while, and eventually decided the issue is too important to ignore. If this post forces one author–just one–to look a little more closely into his or her publishing options, I’ll feel like some of my experiences had a purpose.

Now, in order to avoid being sued or hurting any feelings, I want to stress the fact that this post isn’t about my publisher, your publisher, or any specific publisher. This isn’t a call for folks to name names or ‘out’ unscrupulous publishing companies. It isn’t a place to shame authors who have made uninformed choices. This is a  place to share our collective knowledge about the publishing industry and to help our friends make their own choices by providing as much information as possible.

We’re going to talk about the plague of independent publishers. There are more small presses than any of us could possibly count. They pop up seemingly overnight, publish ten or two-hundred books or so, and then vanish, often leaving bewildered authors to pick up the pieces of their publishing careers. Though there are vanity presses and scammers intent on defrauding authors, there are many small publishers who started their company with the very best of intentions.

I’d like to believe that most small presses set up shop with the intent to help authors and perhaps make a bit of money in the process. I’d like to hope these well-meaning entrepreneurs have a solid business plan, a proven marketing model, and good financial backing before they undertake such a venture. I’d like to hope the publishing company and their authors will thrive, eventually growing the business and becoming successful, respected players in the industry.

That’s what I’d like to believe.

Sadly, the majority of these overnight indie publishers burst into the industry, believing their ambition and passion will overcome their lack of experience. Or, they believe a couple of years editing their college newspaper and a degree in English Literature is enough experience. They think it will be easy. They might be passionate, they might have years of editing experience, they might even be successful authors–but, do they know what it takes to run a publishing company?

Many of these small publishers are the nicest people you’d ever want to meet. They’re honest, reliable, and, smart. The twelve-year-old who mows your lawn is nice, honest, and smart too, but would you trust him to edit the book you’ve worked years to write? Would you trust the helpful teller at the bank to market your book? Would you ask the friendly waiter at your favorite restaurant to take over all aspects of publishing your book? How about your doctor? Your hairdresser?

The fact is, anyone can claim to be a publisher. All they need is a website and a few willing authors. They don’t need a business license. They don’t have to pass a State test for certification. They don’t even have to know what the hell they’re doing, because if they can convince you they know more than you do, chances are you’ll sign with them. In many cases, the publisher doesn’t know any more about editing than the author. The guy who sets up shop as a publisher today, might have been a bank teller, waiter, hairdresser, or doctor yesterday. They might not have any experience in publishing at all!

If you’re lucky, the newbie publisher will outsource formatting and cover art to professionals. If you’re NOT lucky, they’ll use their amateur skills to perform these tasks themselves, often with bad results. They’ll use print on demand services in order to produce paperback books. They’ll list your book on Amazon and Barnes & Noble. The rest is up to you.

Guess what? Any author can hire an editor, commission cover art, and outsource formatting. We all have access to print on demand services, Amazon, and Barnes & Noble. So why do we need a publisher?

We don’t.

Why give up control of your book and a percentage of royalties to someone who doesn’t have any more clout in the industry than you do? For some of us, we might think any publisher is better than no publisher. We find the prospect of self-publishing daunting. Before you shake your head and mutter about the naivety of newbie authors, remember this: We were all newbie authors at some point and we’ve all made mistakes.

If you’ve made a mistake and you’ve signed with a nice, but inexperienced publisher, all hope is not lost. You might have lost out on some book sales, maybe lost a bit of money, maybe learned a few hard lessons…but, you’ll be stronger and wiser going forward. If your publisher is an honest businessperson, there should be a way to terminate your contract. An honest publisher won’t want to hold on to an unhappy author and will work with you to find an amicable resolution. I know several authors who have been able to terminate an unfavorable relationship with a publisher and are now happily self-publishing.

So what happens when your starry-eyed publisher realizes setting up shop as a publisher isn’t as easy as he thought? What happens when he isn’t able to turn a profit after a couple of years and decides to close down his business? Or worse–what  happens if your publisher stops putting forth the effort to do his job, but refuses to close up shop? Some small press owners quickly tire of ‘playing publisher,’ but aren’t quite ready to close up shop, leaving your poorly edited and unmarketed book languishing in Amazon cyber-hell. After all, it doesn’t make any difference to them if your book is selling. It doesn’t cost them anything to hold on to your book–the burden of selling the book is on you. And, who knows? Maybe it’ll start selling some time in the future. They don’t want to miss out on the big bucks if your book suddenly hits the bestseller list.

So, what’s worse? A dishonest publisher, or an inexperienced small press? Which is worse in terms of your reputation as an author: A well-edited self-published book, or a poorly produced book with a small press’ logo slapped on the back cover?

For those of you (like me) who chose to take a chance with a small press, I wish you the best of luck. We all make decisions based on a number of factors. I’m not telling authors to avoid small publishers, nor am I telling anyone they made a mistake. I just want to make certain up-and-coming authors look more closely at their publishing options. Self-publishing, vanity, small presses, or traditional publishing–they all come with risks and benefits. There’s no one-size-fits-all answer for every book.

So, here’s my advice for new authors: Ask questions, do your research, go with your gut, and do what’s best for you and your book.

Categories: About Publishing, Advice for New Authors, author, books, contracts, independent publishers, publishers, publishing, self publishing, small publishers, tricia drammeh, vanity publishers, writers, writing | Tags: , , , , , , , , | 39 Comments

It Sparkles

I haven’t been around the old blog much lately because I’ve been distracted by things that sparkle. Specifically, I’ve been distracted by book covers. My book covers. Not only is it time to work on a cover for Demon Fire, but we’re also working on a new cover for The Claiming Words. My friends, Maegan Provan and Victoria Barrow, hooked me up with a very talented cover artist–Skylar Faith from Trunotdreams.

This is the cover I hope to see on the front of my book very soon:  Isn’t is gorgeous?

The Claiming Words E-book (1)

 

 

Categories: the claiming words | Tags: , , , , | 5 Comments

How My Daughter Saved The Claiming Words

This has been a week of ups and downs. I suffered disappointment, burned with rage, and even considered giving up on my first novel altogether. It’s no secret The Claiming Words isn’t selling well. Just look at Amazon. My dismal ranking says it all. I know it isn’t uncommon for a first novel to sputter along until the author gains a following. I know most novels never sell over 100 copies. I know all this. But, it’s still difficult not to doubt myself or my work.

I had pretty much come to terms with the fact that The Claiming Words series was a total loss. Not only because of the craptastic sales, but for other reasons I won’t bore you with on this blog. Yep, I’d given up and started working on other projects.

Then something amazing happened. My oldest teenage daughter (my target audience for the series) decided to read the book. When I first began writing, she swore it was a waste of time. She said she’d never read the book even after it was published. She doesn’t like YA fantasy and loathed Twilight with every fiber of her being. I don’t know what made her decide to give my book a chance. Maybe she was tired of playing Black Ops or perhaps there wasn’t anything good on television. I don’t know. She started reading it on Wednesday and finished this morning. She was so excited by every twist and turn. She squeeed with delight when her favorite characters made a love connection. And, she is reading the next (unpublished) book on my Kindle as we speak.

And, guess what? I got excited too. I fell in love with The Claiming Words all over again. Maybe the book won’t take the world by storm. Maybe the next three books will go unpublished. Maybe I’ll never finish the final book. I don’t know. But, one thing is certain: my daughter gave me an invaluable gift. She reminded me why I began writing in the first place. It wasn’t for money or fame or recognition. I began writing because I love it. I decided to pursue publication because I wanted to share my stories with people who will squee with delight when their favorite characters kiss for the first time. That’s what it’s all about.

Categories: author, blogger, books, demon fire, reading, the claiming words, writing | Tags: , , , , , | 18 Comments

Paranormal Property Hunters

If you’re anything like me, your imagination goes into overdrive the moment you see a creepy old house or a crumbling castle. Picture this: You’re driving down an old two-lane country road. There are fields as far as the eye can see. Tall stalks of corn tower overhead, blowing gently in the breeze. The setting sun casts an eerie orange glow over an abandoned house set a few yards away from the road. The weather-beaten wood siding is gray with age; shutters hang loosely, the slats broken or missing; the windows boarded; the front porch steps are cracked and splintered, buckled in the middle; a broken screen door opens and closes, slapping the door jamb rhythmically. It’s easy to imagine a ghost moving slowly through the dusty inside, drifting over cobwebs, through walls, waiting out its eternity in a place doomed to be destroyed when the property is zoned for commercial development. It seems like it would be easy to to structure a horror screenplay or paranormal novel around such a desolate structure, doesn’t it?

Think about the venues for your favorite paranormal novels. Not every paranormal or dark fantasy novel is set against the backdrop of a haunted house, gothic castle or crumbling urban decay. Vampires have left their Transylvania castles in favor of penthouses, country estates, or small Washington high schools. Werewolves have fled the deep, dark woods and walk (and hunt) among the New York City elite. Witches have abandoned their cauldrons to pursue university degrees. Demons have set up shop in beachfront cottages. Ghosts still hang out in ancient monasteries and eighteenth century inns, but you can find them in brand new suburban homes too.

Paranormal settings aren’t limited to graveyards and haunted mansions. Paranormal characters can (and are) branching out and going mainstream. And, while I sometimes hear lovers of classic vampire lore complain about modern vamps and werewolves hanging out in high school, I think it’s great that we have such variety in paranormal literature. If I want to read classic vampire horror, I can grab a copy of Bram Stoker’s Dracula. Or, if I’m in the mood for a sexy, sophisticated vampire with expensive taste, I can read The Vampire Lestat. I don’t have to limit my reading choices and neither do you!

What kind of paranormal novels do you prefer? Gothic horror or urban fantasy? Classic vampire or paranormal romance? Those of you who write paranormal or dark fantasy, tell me about the settings you’ve used in your own work. What do you look for when you go paranormal property hunting?

Categories: books, paranormal property hunters, paranormal romance, vampires, vamps, werewolves, witches, Writerly Posts | Tags: , , , , , , , | 2 Comments

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