Why so many bad beginnings in so many books? If you’re an author, you know beginnings are tough. They are for me. My first drafts always have stupid, boring, or lame beginnings, and therefore I have to do tons and tons of editing. I’m never happy with the beginnings. There’s lots of advice out there about how to craft a perfect beginning. Here’s just some of the advice I’ve read on agents’ blogs:
- Don’t start your book with a move or the first day of school.
- Don’t start your book with a character gazing into a mirror.
- Don’t start your book with a dream sequence or a nightmare.
- Don’t start in the middle of a high speed chase or a battle.
- Don’t start your book with your main character in danger because the reader won’t be invested enough in the character to care about their fate.
- Don’t use a prologue.
- Don’t start by describing the landscape or weather.
- Don’t start too fast.
- Don’t start too slow.
This is quite a list, isn’t it? Reading it would make any author wonder, “Where the hell DO I start?” Good question. I’ve read and enjoyed books that break these rules. (Twilight started with a prologue before launching into a move across the country) I’ve written books that break these rules. (The Claiming Words starts on the first day of school.) There’s no easy way to start a book, but I think we can all agree it’s quite a challenge to hook the reader early on.
And, that brings me back to the point of this blog post–lots of books out there have bad beginnings, and if it wasn’t for my commitment to review them, I wouldn’t make it past the bad beginning. So, what happens when a reader hasn’t made a commitment to read and never makes it past that bad beginning to get to the heart of the story? What happens if an agents asks for the first thirty pages of your manuscript to review? A bad beginning can ensure they won’t request a full manuscript. Or, if a reader decides to check out a sample of your book on Amazon before deciding whether or not to buy? A bad beginning will ensure they choose not to make that purchase. A bad beginning can destroy your chances of publishing your manuscript or selling your published book.
There’s lots of advice about what NOT to do when starting your book, but not nearly as much advice about what we should be doing. There’s an elusive SOMETHING that’s hard to describe. We have to engage the reader, and this can be done in different ways. What works for one reader might not hook the next. All those rules I listed above can be broken–they should be broken if that’s what it takes to tell your story and grip the reader. I don’t care what the ‘rules’ are–if the reader can’t put your book down, you’ve done something right.
Writers… Do any of you have problems crafting the perfect beginning?
Readers… What are your pet peeves? What do you like to see in a beginning? What do you hate?